Ariela Naftal (Buenos Aires 1966) works with a strong biographical imprint. She appeals to a universe that contemplates the integration of simple objects from everyday life to the field of art, creating a space that is as familiar as it is strange. The objects that she uses become a mark of a territory and present a postcard “indoors” where forced silence reigns, the words contained are mute and the outside is always sniffing and digging into the intimate.
She has studied at the Municipal Institute of Avellaneda, Ceramics, at the E.N.E.T. Fernando Fader, she participated in the School of projects, Art x Art., Perfecting herself with different teachers in techniques and work approaches.
Among her individual exhibitions, the most outstanding are Entre los Restos, installation site specific – Espacio de Arte Fundación OSDE, (2019); Buen Provecho – Decastelli Gallery, 2008; White ware Elsi del Rio Gallery, (2007).
Among her participation in salons and group exhibitions, Restos del silencio-Eternity by Maurizio Cattelan-Art basell Cities – (2018); “Archeologies” FNA Contest (2018); Urban Archeology – Manuel Belgrano Hall, (2018); Archeologies – Mutant Matters, Casa Matienzo, (2017); Infinite Excavation Becoming and Going (2017), The Beautiful and the Dark – Gallery Pasaje 17, (2014), Things – Espacio de Arte Amia, (2013); Costurón FOUNDATION Arte x Arte, (2011); Pastillas – Isidoro Miranda Gallery, (2011); AUCTION – Sivori MUSEUM, (2010); AUCTION Palais de Glace, (2010); Portion of dreams, Sivori Museum, installation and performance, (2009).
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